Saturday, April 11, 2009
Saturday, March 21, 2009
Friday, March 13, 2009
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Spring break
真正的RHINO
森林公园里
俯瞰FOREST PARK
明代的展出
春假哪里都不想去，乖乖待在学校。礼拜一去学校门口的ZOO，周末去ART MUSEUM，有明代的展览。在家把康的SALK INSTITUTE的大模型给做好。等同学从圣地亚哥回来看现场的DV。Saturday, February 14, 2009
Hello, Salk Institute
参加Salk institute扩建工程的竞赛。
看康当年的设计，亘古如新。
象陈年的老酒那样浓烈，象古典音乐那般雍容。
我不再崇拜康。那是一个辉煌的过去。
节能分析，材料分析，新的结构，新的技术，这是我的时代。
Thursday, January 22, 2009
虚伪的ARCHIGRAM
What is Archigram (小丑的闹剧）
In a combination of technological belief, architectural extremity, love of pop inspired culture and vision of a technocratic future and desire for social change, archigram dominated the architectural avant garde in the 1960s and early 1970s
The group collaborative efforts produced hilarious, provocative challenges to bauhaus models of architecture, exploding our notion of architectural practice and the limits of reality. It was formated in 1961 by a group of young London architects – Warren Chalk, Peter Cook, Dennis Crompton, David Greene, Ron Herron and Michael Webb. The unique strength of the working group that became the fulcrum of Archigram was that it was six people with a range of greatly differing perspectives, tastes, skills, age, politics and backgrounds.
INSTANT CITY, 1970 © Ron Herron, Archigram
Instant City Airships, 1968, Archigram
A 3 dimentional model of the PLUG-IN CITY
PLUG-IN CITY, © Peter Cook, Archigram
Plug In City,
Mixed media collage by Peter Cook for Archigram. 12 x 18.5 in.
one more sketch by architect Ron Herron, Archigram, of the walking city
Walking City in New York, 1964
In a combination of technological belief, architectural extremity, love of pop inspired culture and vision of a technocratic future and desire for social change, archigram dominated the architectural avant garde in the 1960s and early 1970s
The group collaborative efforts produced hilarious, provocative challenges to bauhaus models of architecture, exploding our notion of architectural practice and the limits of reality. It was formated in 1961 by a group of young London architects – Warren Chalk, Peter Cook, Dennis Crompton, David Greene, Ron Herron and Michael Webb. The unique strength of the working group that became the fulcrum of Archigram was that it was six people with a range of greatly differing perspectives, tastes, skills, age, politics and backgrounds.
INSTANT CITY, 1970 © Ron Herron, Archigram
Instant City Airships, 1968, Archigram
A 3 dimentional model of the PLUG-IN CITY
PLUG-IN CITY, © Peter Cook, Archigram
Plug In City,Mixed media collage by Peter Cook for Archigram. 12 x 18.5 in.
Walking City in New York, 1964 所谓的大师，也骗吃骗喝。跟着Dennis Crompton 上了一个学期的STUDIO。现在慢慢想来，觉得像是一场闹剧。从一开始就反感设计一个新的城市。库哈斯也是他的学生，可是库哈斯说不要对未来做太多的畅想，没有必要，因为现在的城市已经蕴含了太多的潜能。
从这个STUDIO里我学会了如何去系统地搜集资料，也许，现在建一个新的城市，我知道哪些资料和讯息需要调查，有多少的城市人口，需要多少的城市配套设施，需要如何设计交通体系，在设计的过程中如何跟现有的城市进行比较和借鉴。但是，从1960年到现在，将近50年，我们面对一个城市的建造，却还是这么传统的手法。
城市的表皮，城市的转变，城市的历史性与空间性，城市的THIRD SPACE, 城市的模糊空间和边缘空间，等等等等。这些是我只上了一节课就学到的城市理论，居然在去年的STUDIO里一个没有提到。我不敢想象，一个标榜URBAN先锋的设计小组，在过去的将近50年里，居然没有任何的改进。
我很负责任地说，ARCHIGRAM 很投机，很虚伪。也许，上学期最大的收获是，看到这场闹剧，学会如何面对每周三次的REVIEW和潮水般涌来的模型制作。
Dennis Crompton 说，你们将来回忆起这段经历也许会感觉别有一番感受。
可我坚决不信任ARCHIGRAM.
I don't trust you, Dennis Crompton!
Friday, January 16, 2009
纽约的味道
任然记得，第一天来到曼哈顿的CHINATOWN，同学们和一些朋友，一起去K歌，唱以前在泉州我们K的歌，不敢怀念太多，思念有时候很痛。唱做本科毕设时候喜欢听的歌，外面下着大雨。很多是清华的同学，常常期望，我们学校的同学聚会。走在CANNEL STREET，想起和同学们一起看的《功夫之王》，很多人喜欢纽约，因为他叠加了来自世界各地的人们太多的情感。
每天晚上，坐地铁到CENTRAL PARK旁边；每天都住在另外的一条街。一个人曾经傻傻地坐在CENTRAL PARK旁边的椅子上，痴痴地看古根海姆，是感动，也是理想。
本科的时候听周老师说大都会博物馆的绮丽，那天晚上，跑进去，飞快地跑着，花了五个小时看完了所有的展品，震撼不足以形容。美国人在博物馆里，建造了我们中国的一个传统庭院。走进那道门，一个东方的世界。从屋檐的天际线遥遥望去，幻想着仍然是闽南的天空。
我喜欢一条街的两端是壮丽的大海。I LOVE N.Y.
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